The theme for this year’s Blairgowrie Book Festival, Bookmark Blair, is PLACE.
‘A strong sense of place is important for transporting your readers to the world of your story. A well-crafted sense of place is often said to be like another character in the story, adding depth and a unique atmosphere’. Fiona Thackeray.
I’m looking forward to attending Fiona Thackeray’s writing workshop on the Saturday morning 11th October, as I am well aware that my powers of description nowhere near match my ability to write dialogue. In her writing, my co-author Jones is far more accomplished and focused on the external world than I am and we have had to learn to shift our natural writing styles to become more similar, and allow the story to become more internally coherent.
Having recently returned from The Isle of Lewis where Eight of Cups was conceived and progressed, I am reminded of how important place can be to mood, action and intention. In the Outer Hebrides, the weather and the landscape reduce man’s presence to something far less significant than is normally experienced. It is a place of big skies, racing clouds, beautiful rainbows, swirling and powerful winds, stunning beaches, bleak and silent moors and an ever-changing environment in which any action must take place.
The concept of light has always been important to me. I love the sunlight, prefer being out of doors, hate the dark, and loathe the short winter days. From a recognised date in October, until the sun begins to return to this hemisphere, I suffer from Seasonal Affective Disorder due to lack of light.
When it comes to writing and being productive, I can reflect back happily on two months during winter 2011, on mornings spent writing in Tenerife, after a leisurely cup of tea on the sun-bathed balcony. Eight weeks and a third of a book drafted, with still time to show visitors around, visit local markets, dine out on wonderful fresh fish and walk daily unencumbered by coat, hat or scarf.
The Canary Islands in winter are home to many creative snowbirds, headed south for the ideal conditions to live out their intended life.
Although it is many, many years since I last sat an English Lit exam, the instruction to ‘compare and contrast’ can take me right back there. Knowing plenty about one of the pieces but not enough about the other! Trying to make what I did know, fit some kind of structure. Hoping that it wouldn’t be too obvious that most of the quotations came from the favoured text.
Two very different reads set in highly dissimilar contexts and yet the overriding feeling that remains is of having walked the road step by step with the author. William Stoner is a university professor in the 1930s-50s in Tennessee, initially amazed to find himself an academic when he had expected to return to his father’s small farm to continue to scratch a living. His life is in many ways low key and uneventful; he is probably forgotten very quickly once he hangs up his gown. And yet his acceptance of a life full of disappointment and sadness is quietly inspiring and laudable.